Midpoint Magic: How to Swing Your Screenplay or Novel in a New Direction and Say Good-Bye to Sagging Story Middles That Put Audiences to Sleep (Story Structure Essentials)

magic screen is one of most looking for today.Almost every people looking for this magic screen .That why i create this blog to gave you some review for best magic screen,so you can find out some review before you bought this magic screen.We have some best product for magic screen to be review,so you can read it and find best magic screen that you want buy.

Midpoint Magic: How to Swing Your Screenplay or Novel in a New Direction and Say Good-Bye to Sagging Story Middles That Put Audiences to Sleep (Story Structure Essentials) ,this is one of alot best product for magic screen that you must have.If you are looking for magic screen , I think you must try to buy this Midpoint Magic: How to Swing Your Screenplay or Novel in a New Direction and Say Good-Bye to Sagging Story Middles That Put Audiences to Sleep (Story Structure Essentials) .When you want to bought this Midpoint Magic: How to Swing Your Screenplay or Novel in a New Direction and Say Good-Bye to Sagging Story Middles That Put Audiences to Sleep (Story Structure Essentials) you must be know that this is best product for magic screen .Read detailed for Midpoint Magic: How to Swing Your Screenplay or Novel in a New Direction and Say Good-Bye to Sagging Story Middles That Put Audiences to Sleep (Story Structure Essentials) below to find out more information for this.

Stop Sagging Middles from Derailing Your Story (& Your Writing Career)

The middle of your story.

Nightmare.

And no wonder.

The middle (or Act Two) is just so dang long.

There’s another reason why plotting a novel or screenplay is hard: plot is based on repetition.

The protagonist tries to achieve his goal, fails, and then tries again. (These are sometimes referred to as try-fail cycles.)

These two factors add up to a big problem: you’ve got A LOT of pages to fill (the lengthy second act) and basically one item to fill them with (try-fail cycles).

Without a plan, the results will feel exactly the way you’d predict: repetitious, boring, and monotonous.

You’ll wind up with a story that sags in the middle. A story that’s more snooze fest than page-turner.

A story that audiences abandon.

Obviously, that’s not going to help you kick your writing career into hyperdrive.

So what’s the solution?

To stop audiences from falling asleep…

…you have to make your try-fail cycles feel different. When plotting a novel or screenplay, you have to camouflage the inherently repetitious nature of plot.

You can accomplish this with the midpoint.

Functioning as a fulcrum, it swings your story in a new direction halfway through Act Two. Thus, your hero’s post-midpoint endeavors will feel different in some key way.

And voila! The repetitious nature of plot is masked. The monotony fades away.

No more same old, same old.

No more sagging middle.

That’s the magic of the midpoint.

Even better, when you braid multiple fulcrums together with their logical causes and effects, your story will practically start writing itself. No joke.

What to use as a fulcrum? When you need help with the midpoint of a screenplay or novel, other writing guides will give you vague advice, like “throw a curveball” or “shake things up.”

Not this one.

As you can see, this one will show you how to plot a novel, how to structure a screenplay—successfully.

8 Specific Ways to Swing Your Story in a New Direction

You’ll learn the ins and outs of 8 different fulcrums, which are suitable for a variety of plots and genres. Plus, you’ll discover:

• the linchpin of virtually any romance (or buddy-cop story)
• the plot device you absolutely need to know about if your characters are on the run
• 2 questions that can tell you if your story is a slow starter
• the best fulcrums to solve escalation problems
• 5 kinds of plots where it actually pays to bury your hook
• why you SHOULDN’T keep your big plot twist up your sleeve
• 5 common pitfalls (and easy ways to sidestep them)

A Foolproof System to Map Out the Middle of Your Screenplay or Novel

Here, you’ll take 2 preparatory steps that will help you instantly get to the heart of your story. Then, you’ll be ready to match your premise to the perfect fulcrum.

By the time you finish, you might have so much material, your story middle won’t be able to contain it all. You’ll have to whittle it down.

That’s a pretty sweet position to be in, especially considering the alternative (i.e. plot points that sag and drag…or even worse, none at all).

The Midpoint-Boosting Plot Point That Can Take Your Story to the Next Level

Closely associated with the midpoint is a plot point you’ve probably never encountered when you looked for help on how to structure a screenplay or how to plot a novel.

But if you master it, you’ll not only fill up those pesky pages that follow the midpoint of a screenplay or novel. In addition, you’ll be able to:

• take care of your plot without sacrificing theme
• reinforce the heroic stature of your protagonist
• slow down the pace of your story without losing your audience

Buy this writing guide today, and zap sagging middles like a pro!

There is some review for Midpoint Magic: How to Swing Your Screenplay or Novel in a New Direction and Say Good-Bye to Sagging Story Middles That Put Audiences to Sleep (Story Structure Essentials) and of best product for magic screen.Thank you for reading this review about Midpoint Magic: How to Swing Your Screenplay or Novel in a New Direction and Say Good-Bye to Sagging Story Middles That Put Audiences to Sleep (Story Structure Essentials).if you think this Midpoint Magic: How to Swing Your Screenplay or Novel in a New Direction and Say Good-Bye to Sagging Story Middles That Put Audiences to Sleep (Story Structure Essentials) suitable for you,you can give some share to growup this site,Other wish,you can try looking for another product for magic screen in this blog.I hope this review can helping you.